A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Spenserian Stanzas On Charles Armitage Brown poem – John Keats poems
- Spenserian Stanza. Written At The Close Of Canto II, Book V, Of “The Faerie Queene” poem – John Keats poems
- Specimen Of An Induction To A Poem poem – John Keats poems
- Sonnet XVII. Happy Is England poem – John Keats poems
- Sonnet XVI. To Kosciusko poem – John Keats poems
- Sonnet XV. On The Grasshopper And Cricket poem – John Keats poems
- Sonnet XIV. Addressed To The Same (Haydon) poem – John Keats poems
- Sonnet X. To One Who Has Been Long In City Pent poem – John Keats poems
- Sonnet XIII. Addressed To Haydon poem – John Keats poems
- Sonnet XII. On Leaving Some Friends At An Early Hour poem – John Keats poems
- Sonnet XI. On First Looking Into Chapman’s Homer poem – John Keats poems
- Sonnet. Written Upon The Top Of Ben Nevis poem – John Keats poems
- Sonnet. Written On A Blank Space At The End Of Chaucer’s Tale Of ‘The Floure And The Lefe’ poem – John Keats poems
- Sonnet. Written On A Blank Page In Shakespeare’s Poems, Facing ‘A Lover’s Complaint’ poem – John Keats poems
- Sonnet. Written In Disgust Of Vulgar Superstition poem – John Keats poems
- Sonnet. Written In Answer To A Sonnet By J. H. Reynolds poem – John Keats poems
- Sonnet. Written Before Re-Read King Lear poem – John Keats poems
- Sonnet. Why Did I Laugh Tonight? poem – John Keats poems
- Sonnet: When I Have Fears That I May Cease To Be poem – John Keats poems
- Sonnet VIII. To My Brothers poem – John Keats poems
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
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Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.