A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- The Haunted House by Thomas Hood
- Labor Pains
- The Disquieting Muses by Sylvia Plath
- Waking up on a rainy morning by Preeth Nambiar
- Words – “My only friends forever” by Vasishta Sharma Gudi
- Ок Мельникова – Блюз-16
- The Window
- Along The Way by Rabindranath Tagore
- Зинаида Александрова – Белочка
- Николай Языков – Песня (Пусть свободны и легки)
- Creative Self Sabotage – 5 Favourite Sabotage Techniques Of Creative Artists & How To Avoid Them
- To Mr. Thomas Southern, on his Birth-Day poem – Alexander Pope
- The Window Freäm’d Wi’ Stwone by William Barnes
- Evening wind by Yosa Buson
- A Man Young And Old: V. The Empty Cup by William Butler Yeats
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Come, Let Me Take Thee To My Breast:
- Robert Burns: Phillis The Queen O’ The Fair:
- Robert Burns: Whistle, And I’ll Come To You, My Lad:
- Robert Burns: By Allan Stream:
- Robert Burns: Had I A Cave:
- Robert Burns: Phillis The Fair:
- Robert Burns: Epigram On The Laird Of Laggan:
- Robert Burns: Epigrams Against The Earl Of Galloway:
- Robert Burns: Epitaph On A Lap-Dog Named Echo:
- Robert Burns: Bonie Jean-A Ballad:
- Robert Burns: O Were My Love Yon Lilac Fair:
- Robert Burns: Blythe Hae I been On Yon Hill:
- Robert Burns: Logan Braes:
- Robert Burns: The Last Time I Came O’er The Moor:
- Robert Burns: Impromptu On General Dumourier’s Desertion From The French Republican Army:
- Robert Burns: Grace Before And After Meat :
- Robert Burns: Grace After Meat:
- Robert Burns: Extempore Reply To An Invitation:
- Robert Burns: Kirk and State Excisemen:
- Robert Burns: The Raptures Of Folly:
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.