BOOK I (excerpt)
I sing the man who Judah’s sceptre bore
In that right hand which held the crook before;
Who from best poet, best of kings did grow;
The two chief gifts Heav’n could on man bestow.
Much danger first, much toil did he sustain,
Whilst Saul and Hell cross’d his strong fate in vain.
Nor did his crown less painful work afford;
Less exercise his patience, or his sword;
So long her conqueror fortunes spite pursued;
Till with unwearied virtue he subdued
All homebred malice, and all foreign boasts;
Their strength was armies, his the Lord of Hosts.
Thou, who didst David’s royal stem adorn,
And gav’st him birth from whom thy self wast born;
Who didst in triumph at death’s court appear,
And slew’st him with thy nails, thy cross and spear,
Whilst Hell’s black tyrant trembled to behold,
The glorious light he forfeited of old;
Who Heav’ns glad burden now, and justest pride,
Sit’st high enthron’d next thy great Father’s side,
(Where hallowed flames help to adorn that head
Which once the blushing thorns environed,
Till crimson drops of precious blood hung down
Like rubies to enrich thine humble crown.)
Even thou my breast with such blest rage inspire,
As mov’d the tuneful strings of David’s lyre,
Guide my bold steps with thine old travelling flame,
In these untrodden paths to sacred fame;
Lo, with pure hands thy heav’enly fires to take,
My well-chang’d Muse I a chaste vestal make!
From earth’s vain joys, and love’s soft witchcraft free,
I consecrate my Magdalene to thee!
Lo, this great work, a temple to thy praise,
On polish’d pillars of strong verse I raise!
A temple, where if thou vouchsafe to dwell,
It Solomon’s, and Herod’s shall excel.
Too long the Muses-land have heathen bin;
Their gods too long were devils, and virtues sin;
But thou, Eternal Word, has call’d forth me
Th’ apostle, to convert that world to thee;
T’ unbind the charms that in slight fables lie,
And teach that truth is purest poesy.
…
A few random poems:
- boy_running_in_the_rain.html
- Nestling by Mark R Slaughter
- The Castle Ruins by William Barnes
- Robert Burns: Had I The Wyte? She Bade Me:
- On The Death Of Damon. (Translated From Milton) by William Cowper
- happiness.html
- A Dialogue Betwixt Himself and Mistress Eliza Wheeler, under the Name of Amarillis by Robert Herrick
- Robert Burns: Thomson’s Edward and Eleanora.:
- Николай Карамзин – К Лиле
- The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816 by William Wordsworth
- Альфред де Мюссе – Друзья мои! Когда умру я
- I Dream’d in a Dream. by Walt Whitman
- Robert Burns: Wilt Thou Be My Dearie?:
- France, the 18th year of These States. by Walt Whitman
- The Last of the Light Brigade by Rudyard Kipling
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Spenserian Stanzas On Charles Armitage Brown poem – John Keats poems
- Spenserian Stanza. Written At The Close Of Canto II, Book V, Of “The Faerie Queene” poem – John Keats poems
- Specimen Of An Induction To A Poem poem – John Keats poems
- Sonnet XVII. Happy Is England poem – John Keats poems
- Sonnet XVI. To Kosciusko poem – John Keats poems
- Sonnet XV. On The Grasshopper And Cricket poem – John Keats poems
- Sonnet XIV. Addressed To The Same (Haydon) poem – John Keats poems
- Sonnet X. To One Who Has Been Long In City Pent poem – John Keats poems
- Sonnet XIII. Addressed To Haydon poem – John Keats poems
- Sonnet XII. On Leaving Some Friends At An Early Hour poem – John Keats poems
- Sonnet XI. On First Looking Into Chapman’s Homer poem – John Keats poems
- Sonnet. Written Upon The Top Of Ben Nevis poem – John Keats poems
- Sonnet. Written On A Blank Space At The End Of Chaucer’s Tale Of ‘The Floure And The Lefe’ poem – John Keats poems
- Sonnet. Written On A Blank Page In Shakespeare’s Poems, Facing ‘A Lover’s Complaint’ poem – John Keats poems
- Sonnet. Written In Disgust Of Vulgar Superstition poem – John Keats poems
- Sonnet. Written In Answer To A Sonnet By J. H. Reynolds poem – John Keats poems
- Sonnet. Written Before Re-Read King Lear poem – John Keats poems
- Sonnet. Why Did I Laugh Tonight? poem – John Keats poems
- Sonnet: When I Have Fears That I May Cease To Be poem – John Keats poems
- Sonnet VIII. To My Brothers poem – John Keats poems
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.