Late in the day the fog
wrung itself out like a sponge
in glades of rain,
sieving the half-invisible
cove with speartips;
then, in a lifting
of wisps and scarves, of smoke-rings
from about the islands, disclosing
what had been wavering
fishnet plissé as a smoothness
of peau-de-soie or just-ironed
percale, with a tatting
of foam out where the rocks are,
the sheened no-color of it,
the bandings of platinum
and magnesium suffusing,
minute by minute, with clandestine
rose and violet, with opaline
nuance of milkweed, a texture
not to be spoken of above a whisper,
began, all along the horizon,
gradually to unseal
like the lip of a cave
or of a cavernous,
single, pearl-
engendering seashell.
Amy Clampitt, (born June 15, 1920, New Providence, Iowa, U.S.—died Sept. 10, 1994, Lenox, Mass.), American modernist poet and prose author whose work won critical acclaim for its evocation of the natural world.