First-born of Chaos, who so fair didst come
From the old Negro’s darksome womb!
Which, when it saw the lovely child,
The melancholy mass put on kind looks and smiled,
Thou tide of glory which no rest dost know,
But ever ebb and ever flow!
Thou golden shower of a true Jove,
Who does in thee descend, and heaven to earth make love!
Hail, active nature’s watchful life and health,
Her joy, her ornament and wealth!
Hail to thy husband Heat, and thee!
Thou the world’s beauteous bride, the lusty bridegroom he!
Say, from what golden quivers of the sky
Do all thy winged arrows fly?
Swiftness and power by birth are thine:
From thy great Sire they came, thy Sire the Word divine.
‘Tis, I believe, this archery to show,
That so much cost in colors thou,
And skill in painting, dost bestow
Upon thy ancient arms, the gaudy heavenly bow.
Swift as light thoughts their empty career run,
Thy race is finished when begun;
Let a post-angel start with thee,
And thou the goal of earth shalt teach as soon as he.
Thou in the moon’s bright chariot, proud and gay,
Dost thy bright wood of stars survey,
And all the year dost with thee bring,
Of thousand flowery lights, thine own nocturnal spring.
Thou Scythian-like dost round thy lands, above
The sun’s gilt tent, forever move,
And still, as thou in pomp dost go,
The shining pageants of the world attend thy show.
Nor amidst all these triumphs dost thou scorn
The humble glowworms to adorn,
And with those living spangles gild –
O greatness without pride! – the bushes of the field.
Night and her ugly subjects thou dost fright,
And sleep, the lazy owl of night;
Ashamed and fearful to appear,
They screen their horrid shapes with the black hemisphere.
With ’em there hastes, and wildly takes the alarm,
Of painted dreams, a busy swarm;
At the first openings of thine eye,
The various clusters break, the antic atoms fly.
The guilty serpents and obscener beasts
Creep conscious to their secret rests;
Nature to thee does reverence pay;
Ill omens and ill sights removes out of thy way.
At thy appearance, Grief itself is said
To shake his wings and rouse his head.
And cloudy Care has often took
A gentle beamy smile reflected from thy look.
At thy appearance, Fear itself grows bold;
Thy sunshine melts away his cold.
Encouraged at the sight of thee,
To the cheek color comes, and firmness to the knee.
Even Lust, the master of a hardened face,
Blushes if thou beest in the place,
To darkness’ curtains he retires;
In sympathizing night he rolls his smoky fires.
When, goddess, thou list’st up thy wakened head
Out of the morning’s purple bed,
Thy quire of birds about thee play,
And all the joyful world salutes the rising day.
The ghosts and monster spirits that did presume
A body’s privilege to assume
Vanish again invisibly,
And bodies gain again their visibility.
All the world’s bravery that delights our eyes
Is but thy several liveries;
Thou the rich dye on them bestow’st;
Thy nimble pencil paints this landscape as thou go’st.
A crimson garment in the rose thou wear’st;
A crown of studded gold thou bear’st;
The virgin blies in their white
Are clad but with the lawn of almost naked light.
The violet, spring’s little infant, stands
Girt in thy purple swaddling-bands;
On the fair tulip thou dost dote;
Thou cloth’st it in a gay and parti-colored coat.
With flame condensed thou dost the jewels fix,
And solid colors in it mix;
Flora herself envies to see
Flowers fairer than her own, and durable as she.
Ah, goddess! would thou couldst thy hand withhold
And be less liberal to gold;
Didst thou less value to it give,
Of how much care, alas! mightst thou poor man relieve!
To me the sun is more delightful far,
And all fair days much fairer are,
But few, ah wondrous few, there be
Who do not gold prefer, O goddess, even to thee.
Through the soft ways of heaven, and air, and sea,
Which open all their pores to thee,
Like a clear river thou dost glide,
And with thy living stream through the close channels slide.
But where firm bodies thy free course oppose,
Gently thy source the land o’erflows,
Takes there possession, and does make
Of colors mingled, light, a thick and standing lake.
But the vast ocean of unbounded day
In the empyrean heaven does stay.
Thy rivers, lakes, and springs below
From thence took first their rise, thither at last must flow.
A few random poems:
- Ок Мельникова – Не в этот раз
- On Colley Cibber poem – Alexander Pope poems | Poetry Monster
- Владимир Британишский – Дороги
- Claribel poem – Lord Alfred Tennyson poems
- Катя Пиксаева – Давай поговорим о доброте
- Artegal And Elidure by William Wordsworth
- Meary-Ann’s Child by William Barnes
- Atmosphere by Robert Frost
- The Conjugation of the Paramecium by Muriel Rukeyser
- Юрий Энтин – Слово про слово
- Conversation With My Heart by Russ Pergram
- Владимир Маяковский – Последний баронишко (Главполитпросвет №324)
- Иннокентий Анненский – Идеал
- Crapulous Impression poem – Aldous Huxley poems | Poetry Monster
- Joy-Bells by Siegfried Sassoon
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: My Lord A-Hunting:
- Robert Burns: The Bonie Moor-Hen:
- Robert Burns: Prologue: Spoken by Mr. Woods on his benefit-night, Monday, 16th April, 1787
- Robert Burns: Verses Intended To Be Written Below A Noble Earl’s Picture:
- Robert Burns: Epistle To Mrs. Scott: Gudewife of Wauchope-House, Roxburghshire.
- Robert Burns: Inscription For The Headstone Of Fergusson The Poet:
- Robert Burns: Extempore In The Court Of Session:
- Robert Burns: Bonie Dundee:
- Robert Burns: Rattlin’, Roarin’ Willie:
- Robert Burns: Mr. William Smellie -A Sketch:
- Robert Burns: To Miss Logan, With Beattie’s Poems, For A New-Year’s Gift, Jan. 1, 1787:
- Robert Burns: Address To A Haggis:
- Robert Burns: Address To Edinburgh:
- Robert Burns: Yon Wild Mossy Mountains:
- Robert Burns: A Winter Night :
- Robert Burns: On Sensibility: Fragment
- Robert Burns: Epistle To Major Logan:
- Robert Burns: Tam Samson’s Elegy: When this worthy old sportman went out, last muirfowl season, he supposed it was to be, in Ossian’s phrase, “the last of his fields,” and expressed an ardent wish to die and be buried in the muirs. On this hint the author composed his elegy and epitaph.-R.B., 1787.
- Robert Burns: Composed In Spring:
- Robert Burns: Inscribed On A Work Of Hannah More’s: Presented to the Author by a Lady.
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.