Industrial Lace poem – Alice Fulton

The city had such pretty clotheslines.

Women aired their intimate apparel

in the emery haze:

membranes of lingerie—

pearl, ruby, copper slips—

their somehow intestinal quivering in the wind.

And Freihofer’s spread the chaste, apron scent

of baking, a sensual net

over a few yards of North Troy.

The city had Niagara

Mohawk bearing down with power and light

and members of the Local

shifting on the line.

They worked on fabrics made from wood and acid,

synthetics that won’t vent.

They pieced the tropics into housecoats

when big prints were the rage.

Dacron gardens twisted on the line

over lots of Queen Anne’s lace.

Sackdresses dyed the sun

as sun passed through, making a brash stained glass

against the leading of the tenements,

the warehouse holding medical supplies.

I waited for my bus by that window of trusses

in Caucasian beige, trying to forget

the pathological inside.

I was thinking of being alive.

I was waiting to open

the amber envelopes of mail at home.

Just as food service workers, counter women,

maybe my Aunt Fran, waited to undo

their perms from the delicate insect meshes

required by The Board of Health.

Aunt Alice wasn’t on this route.

She made brushes and plastics at Tek Hughes—

milk crates of orange

industrial lace

the cartons could drip through.

Once we boarded, the girls from Behr-Manning

put their veins up

and sawed their nails to dust

on files from the plant.

All day, they made abrasives. Garnet paper.

Yes, and rags covered with crushed gems called

garnet cloth.

It was dusk—when aunts and mothers formed

their larval curls

and wrapped their heads in thick brown webs.

It was yesterday—twenty years after

my father’s death,

I found something he had kept.

A packet of lightning-

cut sanding discs, still sealed.

I guess he meant to open the finish,

strip the paint stalled on some grain

and groom the primal gold.

The discs are the rough size

of those cookies the franchises call Homestyle

and label Best Before.

The old cellophane was tough.

But I ripped until I touched

their harsh done crust.

Alice Fulton

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• A Rustic Seat Near The Sea by William Lisle Bowles by William Lisle Bowles
• A Garden-Seat At Home by William Lisle Bowles by William Lisle Bowles
• Where fair Sabrina’s wand’ring currents flow by William Somervile by William Somerville
• To the Right Hon. The Earl of Halifax , with the Fable of the Two Springs by William Somervile by William Somerville
• To the Right Hon. Lady Anne Coventry by William Somervile by William Somerville
• To the Duke of Marlborough, upon His Removal From All His Places by William Somervile by William Somerville
• To the Author of the The Essay on Man by William Somervile by William Somerville
• To Dr. MReading Mathmatics by William Somervile by William Somerville
• To a Young Lady, with the Illiad of Homer Translated by William Somervile by William Somerville
• To a Lady, Who Made Me a Present of a Silver Pen by William Somervile by William Somerville
• To a Gentleman, Who Married His Cast Mistress by William Somervile by William Somerville
• To a Discarded Toast by William Somervile by William Somerville
• The Yeoman of Kent by William Somervile by William Somerville
• The Wolf and the Dog by William Somervile by William Somerville
• The Wise Builder by William Somervile by William Somerville
• The Two Springs by William Somervile by William Somerville
• The True Use of the Looking-Glass by William Somervile by William Somerville
• The Superannuated Lover by William Somervile by William Somerville
• The Sheep and the Bush by William Somervile by William Somerville
• The Lamentation of David Over Saul and Jonathan by William Somervile by William Somerville

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