A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- Константин Батюшков – Мечта
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- Владимир Маяковский – За женщиной
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- Robert Burns: The Fete Champetre:
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: A Stanza Added In A Mason Lodge:
- Robert Burns: No Churchman Am I:
- Robert Burns: I’ll Go And Be A Sodger:
- Robert Burns: Raging Fortune:
- Robert Burns: Fickle Fortune: Fragment
- Robert Burns: Stanzas On The Same Occasion [Prospect of Death]:
- Robert Burns Country: O Tibbie, I Hae Seen The Day:
- Robert Burns: In The Prospect Of Death:
- Robert Burns: First Six Verses Of The Ninetieth Psalm Versified, The :
- Robert Burns: Paraphrase Of The First Psalm:
- Robert Burns: Under The Pressure Of Violent Anguish:
- Robert Burns: Winter: A Dirge:
- Robert Burns: Mary Morison:
- Robert Burns: Bonie Peggy Alison:
- Robert Burns: Lass Of Cessnock Banks, The:
- Robert Burns: Here’s To Thy Health:
- Robert Burns Country: Ronalds Of The Bennals, The:
- Robert Burns: Handsome Nell:
- Erotic comics by Hanz Kovacq, porn comic books by known illustrators – continued
- Hitler, a poem about Hitler
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.