A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: I Hae Been At Crookieden:
- Robert Burns: Ye Jacobites By Name:
- Robert Burns: Such A Parcel Of Rogues In A Nation:
- Robert Burns: Frae The Friends And Land I Love:
- Robert Burns: Nithsdale’s Welcome Hame:
- Robert Burns: Address To The Shade Of Thomson: On Crowning His Bust at Ednam, Roxburghshire, with a Wreath of Bays.
- Robert Burns: Sweet Afton :
- Robert Burns: My Bonie Bell:
- Robert Burns: Thou Fair Eliza:
- Robert Burns: O For Ane An’ Twenty, Tam :
- Robert Burns: My Tocher’s The Jewel:
- Robert Burns: Altho’ He Has Left Me:
- Robert Burns: My Eppie Macnab:
- Robert Burns: Johnie Lad, Cock Up Your Beaver:
- Robert Burns: Damon And Sylvia: Fragment
- Robert Burns: Lovely Polly Stewart:
- Robert Burns: You’re Welcome, Willie Stewart:
- Robert Burns: Epigram At Brownhill Inn:
- Robert Burns: The Gallant Weaver:
- Robert Burns: Verses On The Destruction Of The Woods Near Drumlanrig:
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.