by Ainne Frances dela Cruz
In dark girls I see your skin. The lines of veins delicately whispering on the underside of your arms. The graceful motion of your fingers, how you always seemed on air, entrapped with wings; you who only had to rise to fly.
I, in another time, I see you. Dark of night, and dead weights, as everything must be to your ancient body. Yet, I love this of you. Even the headiness of the scent of entrails rushing after you, slapping on my hair, and I am left, matted and bloodied. And my heart left matted and bloodied.
I see now, you wanted to eat my heart. Dark blood pulsing through arteries. Transparency? Doesn’t my skin scream my love? Yes, my heart is yours. You only had to ask.
Do you remember Chinese water torture? One drop a minute to a prisoner would seem like an eternity of waiting for the deluge. And this, your wings rushing through light, beating through my ears like bats, high-pitched, tortures me. Wanting to get through your skin, carried away on your nails. Wanting to be you, dark as flight, as flight is, to one land-bound.
I am bound to one who flits from transparency, to a land opaque, where feelings must darken, and become murky. From water to blood, from oxygen to air so thin and pure, I have trouble breathing. But this is what we come to in the end, isn’t it? You have clutched me so tightly that I can let go and fall, but always find myself in your talons. The nails curved inwardly, my stomach heaves.
To become one, to be so close that the skin you hold is my skin, that when I look through the dark, I can see you. To hold me as if I was in you, your skin, your blood, my blood, one. This is what you do best, isn’t it? Touch things about to vanish. In your eyes I see myself. Will you see me always this way? Lips stained with your blood, fingers gripping your wings.
Do you want to fly? you asked. I nodded. Then close your eyes. The first bite, the first tear at my skin does feel like weightlessness. Levitation, blood escaping from me, finally free, skin to skin, and body to body. No longer heavy. You carried me forever. You don’t have to do so now.
I can fly.
Paper Monster Press Dream Pop Issue
Copyright ©:
2011
A few random poems:
- Patience, Hard Thing! The Hard Thing But To Pray poem – Gerard Manley Hopkins poems
- The Wolf and the Dog by William Somervile
- Низами Гянджеви – Где путь в кумирню
- Sonnet On Sitting Down To Read King Lear Once Again poem – John Keats poems
- Алексей Плещеев – Цветок
- Rubber Souls poem – Andrei Voznesensky poems
- Miss Worthington by Rose Mary Boehm
- An Extempore poem – John Keats poems
- Olney Hymn 47: The Hidden Life by William Cowper
- Nevermore, Translation of Paul Verlaine’s sonnet: Nevermore by T. Wignesan
- alexander.html
- Forty Years Later by Martin Willitts, Jr
- Maenad by Sylvia Plath
- Motto prefixed to the Author’s first Publication by Robert Burns
- Prayer—O Thou Dread Power by Robert Burns
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: My Lord A-Hunting:
- Robert Burns: The Bonie Moor-Hen:
- Robert Burns: Prologue: Spoken by Mr. Woods on his benefit-night, Monday, 16th April, 1787
- Robert Burns: Verses Intended To Be Written Below A Noble Earl’s Picture:
- Robert Burns: Epistle To Mrs. Scott: Gudewife of Wauchope-House, Roxburghshire.
- Robert Burns: Inscription For The Headstone Of Fergusson The Poet:
- Robert Burns: Extempore In The Court Of Session:
- Robert Burns: Bonie Dundee:
- Robert Burns: Rattlin’, Roarin’ Willie:
- Robert Burns: Mr. William Smellie -A Sketch:
- Robert Burns: To Miss Logan, With Beattie’s Poems, For A New-Year’s Gift, Jan. 1, 1787:
- Robert Burns: Address To A Haggis:
- Robert Burns: Address To Edinburgh:
- Robert Burns: Yon Wild Mossy Mountains:
- Robert Burns: A Winter Night :
- Robert Burns: On Sensibility: Fragment
- Robert Burns: Epistle To Major Logan:
- Robert Burns: Tam Samson’s Elegy: When this worthy old sportman went out, last muirfowl season, he supposed it was to be, in Ossian’s phrase, “the last of his fields,” and expressed an ardent wish to die and be buried in the muirs. On this hint the author composed his elegy and epitaph.-R.B., 1787.
- Robert Burns: Composed In Spring:
- Robert Burns: Inscribed On A Work Of Hannah More’s: Presented to the Author by a Lady.
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works