O fortunatus nimium, etc., a translation out of Virgil by Abraham Cowley
Continued from the Essay on Agriculture by Abraham Cowley
Virg. Georg.
O fortunatus nimium, etc.
A TRANSLATION OUT OF VIRGIL.
Oh happy (if his happiness he knows)
The country swain, on whom kind Heaven bestows
At home all riches that wise Nature needs;
Whom the just earth with easy plenty feeds.
’Tis true, no morning tide of clients comes,
And fills the painted channels of his rooms,
Adoring the rich figures, as they pass,
In tapestry wrought, or cut in living brass;
Nor is his wool superfluously dyed
With the dear poison of Assyrian pride:
Nor do Arabian perfumes vainly spoil
The native use and sweetness of his oil.
Instead of these, his calm and harmless life,
Free from th’ alarms of fear, and storms of strife,
Does with substantial blessedness abound,
And the soft wings of peace cover him round:
Through artless grots the murmuring waters glide;
Thick trees both against heat and cold provide,
From whence the birds salute him; and his ground
With lowing herds, and bleating sheep does sound;
And all the rivers, and the forests nigh,
Both food and game and exercise supply.
Here a well-hardened, active youth we see,
Taught the great art of cheerful poverty.
Here, in this place alone, there still do shine
Some streaks of love, both human and divine;
From hence Astræa took her flight, and here
Still her last footsteps upon earth appear.
’Tis true, the first desire which does control
All the inferior wheels that move my soul,
Is, that the Muse me her high priest would make;
Into her holiest scenes of mystery take,
And open there to my mind’s purgèd eye
Those wonders which to sense the gods deny;
How in the moon such chance of shapes is found
The moon, the changing world’s eternal bound.
What shakes the solid earth, what strong disease
Dares trouble the firm centre’s ancient ease;
What makes the sea retreat, and what advance:
Varieties too regular for chance.
What drives the chariot on of winter’s light,
And stops the lazy waggon of the night.
But if my dull and frozen blood deny
To send forth spirits that raise a soul so high;
In the next place, let woods and rivers be
My quiet, though unglorious, destiny.
In life’s cool vale let my low scene be laid;
Cover me, gods, with Tempe’s thickest shade
Happy the man, I grant, thrice happy he
Who can through gross effects their causes see:
Whose courage from the deeps of knowledge springs.
Nor vainly fears inevitable things;
But does his walk of virtue calmly go,
Through all th’ alarms of death and hell below.
Happy! but next such conquerors, happy they,
Whose humble life lies not in fortune’s way.
They unconcerned from their safe distant seat
Behold the rods and sceptres of the great.
The quarrels of the mighty, without fear,
And the descent of foreign troops they hear.
Nor can even Rome their steady course misguide,
With all the lustre of her perishing pride.
Them never yet did strife or avarice draw
Into the noisy markets of the law,
The camps of gownéd war, nor do they live
By rules or forms that many mad men give,
Duty for nature’s bounty they repay,
And her sole laws religiously obey.
Some with bold labour plough the faithless main;
Some rougher storms in princes’ courts sustain.
Some swell up their slight sails with popular fame,
Charmed with the foolish whistlings of a name.
Some their vain wealth to earth again commit;
With endless cares some brooding o’er it sit.
Country and friends are by some wretches sold,
To lie on Tyrian beds and drink in gold;
No price too high for profit can be shown;
Not brother’s blood, nor hazards of their own.
Around the world in search of it they roam;
It makes e’en their Antipodes their home.
Meanwhile, the prudent husbandman is found
In mutual duties striving with his ground;
And half the year he care of that does take
That half the year grateful returns does make
Each fertile month does some new gifts present,
And with new work his industry content:
This the young lamb, that the soft fleece doth yield,
This loads with hay, and that with corn the field:
All sorts of fruit crown the rich autumn’s pride:
And on a swelling hill’s warm stony side,
The powerful princely purple of the vine,
Twice dyed with the redoubled sun, does shine.
In th’ evening to a fair ensuing day,
With joy he sees his flocks and kids to play,
And loaded kine about his cottage stand,
Inviting with known sound the milker’s hand;
And when from wholesome labour he doth come,
With wishes to be there, and wished for home,
He meets at door the softest human blisses,
His chaste wife’s welcome, and dear children’s kisses.
When any rural holydays invite
His genius forth to innocent delight,
On earth’s fair bed beneath some sacred shade,
Amidst his equal friends carelessly laid,
He sings thee, Bacchus, patron of the vine,
The beechen bowl foams with a flood of wine,
Not to the loss of reason or of strength.
To active games and manly sport at length
Their mirth ascends, and with filled veins they see,
Who can the best at better trials be.
Such was the life the prudent Sabine chose,
From such the old Etrurian virtue rose.
Such, Remus and the god his brother led,
From such firm footing Rome grew the world’s head.
Such was the life that even till now does raise
The honour of poor Saturn’s golden days:
Before men born of earth and buried there,
Let in the sea their mortal fate to share,
Before new ways of perishing were sought,
Before unskilful death on anvils wrought.
Before those beasts which human life sustain,
By men, unless to the gods’ use, were slain.
Other works by Abraham Cowley:
Some works by other baroque authors
- Sonnet 3: Look in thy glass, and tell the face thou viewest by William Shakespeare
- Sonnet 39: O, how thy worth with manners may I sing by William Shakespeare
- Sonnet 38: How can my Muse want subject to invent by William Shakespeare
- Sonnet 37: As a decrepit father takes delight by William Shakespeare
- Sonnet 36: Let me confess that we two must be twain by William Shakespeare
- Sonnet 35: No more be grieved at that which thou hast done by William Shakespeare
- Sonnet 34: Why didst thou promise such a beauteous day by William Shakespeare
- Sonnet 33: Full many a glorious morning have I seen by William Shakespeare
- Sonnet 74: But be contented when that fell arrest by William Shakespeare
- Sonnet 73: That time of year thou mayst in me behold by William Shakespeare
- Sonnet 72: O, lest the world should task you to recite by William Shakespeare
- Sonnet 71: No longer mourn for me when I am dead by William Shakespeare
- Sonnet 70: That thou art blamed shall not be thy defect by William Shakespeare
- Sonnet 6: Then let not winter’s ragged hand deface by William Shakespeare
- Sonnet 69: Those parts of thee that the world’s eye doth view by William Shakespeare
- Sonnet 68: Thus is his cheek the map of days outworn by William Shakespeare
- Sonnet 67: Ah, wherefore with infection should he live by William Shakespeare
- Sonnet 66: Tired with all these, for restful death I cry by William Shakespeare
- Sonnet 65: Since brass, nor stone, nor earth, nor boundless sea by William Shakespeare
- Sonnet 64: When I have seen by Time’s fell hand defaced by William Shakespeare
- Sonnet 63: Against my love shall be, as I am now by William Shakespeare
- Sonnet 62: Sin of self-love possesseth all mine eye by William Shakespeare
- Sonnet 61: Is it thy will thy image should keep open by William Shakespeare
- Sonnet 60: Like as the waves make towards the pebbled shore by William Shakespeare
- Sonnet 5: Those hours, that with gentle work did frame by William Shakespeare
- Sonnet 59: If there be nothing new, but that which is by William Shakespeare
- Sonnet 58: That god forbid, that made me first your slave by William Shakespeare
- Sonnet 57: Being your slave, what should I do but tend by William Shakespeare
- Sonnet 56: Sweet love, renew thy force, be it not said by William Shakespeare
- Sonnet 55: Not marble, nor the gilded monuments by William Shakespeare
- Sonnet 95: How sweet and lovely dost thou make the shame by William Shakespeare
- Sonnet 94: They that have power to hurt and will do none by William Shakespeare
- Sonnet 93: So shall I live, supposing thou art true by William Shakespeare
- Sonnet 92: But do thy worst to steal thy self away by William Shakespeare
- Sonnet 91: Some glory in their birth, some in their skill by William Shakespeare
- Sonnet 90: Then hate me when thou wilt; if ever, now by William Shakespeare
- Sonnet 8: Music to hear, why hear’st thou music sadly? by William Shakespeare
- Sonnet 89: Say that thou didst forsake me for some fault by William Shakespeare
- Sonnet 88: When thou shalt be disposed to set me light by William Shakespeare
- Sonnet 87: Farewell! Thou art too dear for my possessing by William Shakespeare
- Sonnet 86: Was it the proud full sail of his great verse by William Shakespeare
- Sonnet 85: My tongue-tied Muse in manners holds her still by William Shakespeare
- Sonnet 84: Who is it that says most, which can say more by William Shakespeare
- Sonnet 83: I never saw that you did painting need by William Shakespeare
- Sonnet 82: I grant thou wert not married to my Muse by William Shakespeare
- Sonnet 81: Or I shall live your epitaph to make by William Shakespeare
- Sonnet 80: O, how I faint when I of you do write by William Shakespeare
- Sonnet 7: Lo, in the orient when the gracious light by William Shakespeare
- Sonnet 79: Whilst I alone did call upon thy aid by William Shakespeare
- Sonnet 78: So oft have I invoked thee for my Muse by William Shakespeare
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.