Thy various works, imperial queen, we see,
How bright their forms! how deck’d with pomp by thee!
Thy wond’rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon’s refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov’d object strikes her wand’ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.
Imagination! who can sing thy force?
Or who describe the swiftness of thy course?
Soaring through air to find the bright abode,
Th’ empyreal palace of the thund’ring God,
We on thy pinions can surpass the wind,
And leave the rolling universe behind:
>From star to star the mental optics rove,
Measure the skies, and range the realms above.
There in one view we grasp the mighty whole,
Or with new worlds amaze th’ unbounded soul.
Though Winter frowns to Fancy’s raptur’d eyes
The fields may flourish, and gay scenes arise;
The frozen deeps may break their iron bands,
And bid their waters murmur o’er the sands.
Fair Flora may resume her fragrant reign,
And with her flow’ry riches deck the plain;
Sylvanus may diffuse his honours round,
And all the forest may with leaves be crown’d:
Show’rs may descend, and dews their gems disclose,
And nectar sparkle on the blooming rose.
Such is thy pow’r, nor are thine orders vain,
O thou the leader of the mental train:
In full perfection all thy works are wrought,
And thine the sceptre o’er the realms of thought.
Before thy throne the subject-passions bow,
Of subject-passions sov’reign ruler thou;
At thy command joy rushes on the heart,
And through the glowing veins the spirits dart.
Fancy might now her silken pinions try
To rise from earth, and sweep th’ expanse on high:
>From Tithon’s bed now might Aurora rise,
Her cheeks all glowing with celestial dies,
While a pure stream of light o’erflows the skies.
The monarch of the day I might behold,
And all the mountains tipt with radiant gold,
But I reluctant leave the pleasing views,
Which Fancy dresses to delight the Muse;
Winter austere forbids me to aspire,
And northern tempests damp the rising fire;
They chill the tides of Fancy’s flowing sea,
Cease then, my song, cease the unequal lay.
End of the poem
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Some external links:
Duckduckgo.com – the alternative in the US
Quant.com – a search engine from France, and also an alternative, at least for Europe
Yandex – the Russian search engine (it’s probably the best search engine for image searches).
Phillis Wheatley (1753-84), a negro poetess, also an American poet or Afro-American poet, and an English Colonial poet, . She was born in Africa (in Gambia or Senegal) and was aptured by slave traders at the age of eight, she was sold to a family living in Boston, Mass., whose name she bears. While serving as a maid-servant to her proprietor’s wife, she showed an unusual facility with languages. She began writing poetry at the age of thirteen, using as models British poets of the time, especially Alexander Pope and Thomas Gray). In 1773 she accompanied a member of the Wheatley family to England, where she gained widespread attention in literary circles. She subsequently returned to Boston. Her best-known poems are “To the University of Cambridge in New England” (1767), In all honestly Phillis Wheatley should rather be considered English than an Afro-American poet but the exact classification of who she was would depend on the political and cultural views, and biases, of the “classifier.