MNEME begin. Inspire, ye sacred nine,
Your vent’rous Afric in her great design.
Mneme, immortal pow’r, I trace thy spring:
Assist my strains, while I thy glories sing:
The acts of long departed years, by thee
Recover’d, in due order rang’d we see:
Thy pow’r the long-forgotten calls from night,
That sweetly plays before the fancy’s sight.
Mneme in our nocturnal visions pours
The ample treasure of her secret stores;
Swift from above the wings her silent flight
Through Phoebe’s realms, fair regent of the night;
And, in her pomp of images display’d,
To the high-raptur’d poet gives her aid,
Through the unbounded regions of the mind,
Diffusing light celestial and refin’d.
The heav’nly phantom paints the actions done
By ev’ry tribe beneath the rolling sun.
Mneme, enthron’d within the human breast,
Has vice condemn’d, and ev’ry virtue blest.
How sweet the sound when we her plaudit hear?
Sweeter than music to the ravish’d ear,
Sweeter than Maro’s entertaining strains
Resounding through the groves, and hills, and plains.
But how is Mneme dreaded by the race,
Who scorn her warnings and despise her grace?
By her unveil’d each horrid crime appears,
Her awful hand a cup of wormwood bears.
Days, years mispent, O what a hell of woe!
Hers the worst tortures that our souls can know.
Now eighteen years their destin’d course have run,
In fast succession round the central sun.
How did the follies of that period pass
Unnotic’d, but behold them writ in brass!
In Recollection see them fresh return,
And sure ’tis mine to be asham’d, and mourn.
O Virtue, smiling in immortal green,
Do thou exert thy pow’r, and change the scene;
Be thine employ to guide my future days,
And mine to pay the tribute of my praise.
Of Recollection such the pow’r enthron’d
In ev’ry breast, and thus her pow’r is own’d.
The wretch, who dar’d the vengeance of the skies,
At last awakes in horror and surprise,
By her alarm’d, he sees impending fate,
He howls in anguish, and repents too late.
But O! what peace, what joys are hers t’ impart
To ev’ry holy, ev’ry upright heart!
Thrice blest the man, who, in her sacred shrine,
Feels himself shelter’d from the wrath divine!
End of the poem
15 random poems
- Coming Through The Rye by Robert Burns
- Sixteen Dead Men by William Butler Yeats
- To The Right Honourable William, Earl Of Dartmouth, His Majesty’s Principal Secretary Of The State For North-America, by Phillis Wheatley
- Иван Мятлев – Соловей
- Dark Room( qua vadis) by Muralidharan Mudaliar
- On Friendship by Phillis Wheatley
- Ballad on Mr. Heron’s Election—No. 2 by Robert Burns
- Юлия Жадовская – Чем ярче шумный пир
- Mother Earth; Her Beauty And Her Destruction by TMBedell
- A Little While by Sara Teasdale
- Robert Burns: Epistle To Davie, A Brother Poet:
- Вероника Тушнова – У каждого есть в жизни хоть одно,
- Robert Burns: Epigram On Miss Davies: On being asked why she had been formed so little, and Mrs. A-so big.
- Stretcher Case by Siegfried Sassoon
- Buddha’s Laugh by Sonya Ki Tomlinson
Some external links:
Duckduckgo.com – the alternative in the US
Quant.com – a search engine from France, and also an alternative, at least for Europe
Yandex – the Russian search engine (it’s probably the best search engine for image searches).
Phillis Wheatley (1753-84), a negro poetess, also an American poet or Afro-American poet, and an English Colonial poet, . She was born in Africa (in Gambia or Senegal) and was aptured by slave traders at the age of eight, she was sold to a family living in Boston, Mass., whose name she bears. While serving as a maid-servant to her proprietor’s wife, she showed an unusual facility with languages. She began writing poetry at the age of thirteen, using as models British poets of the time, especially Alexander Pope and Thomas Gray). In 1773 she accompanied a member of the Wheatley family to England, where she gained widespread attention in literary circles. She subsequently returned to Boston. Her best-known poems are “To the University of Cambridge in New England” (1767), In all honestly Phillis Wheatley should rather be considered English than an Afro-American poet but the exact classification of who she was would depend on the political and cultural views, and biases, of the “classifier.