THE DANGER OF PROCRASTINATION
A letter to Mr. S. L.
I am glad that you approve and applaud my design of withdrawing myself from all tumult and business of the world and consecrating the little rest of my time to those studies to which nature had so motherly inclined me, and from which fortune like a step-mother has so long detained me. But nevertheless, you say—which But is ærugo mera, a rust which spoils the good metal it grows upon. But, you say, you would advise me not to precipitate that resolution, but to stay a while longer with patience and complaisance, till I had gotten such an estate as might afford me, according to the saying of that person whom you and I love very much, and would believe as soon as another man, cum dignitate otium. This were excellent advice to Joshua, who could bid the sun stay too. But there’s no fooling with life when it is once turned beyond forty. The seeking for a fortune then is but a desperate after game, it is a hundred to one if a man fling two sixes and recover all; especially if his hand be no luckier than mine. There is some help for all the defects of fortune, for if a man cannot attain to the length of his wishes, he may have his remedy by cutting of them shorter. Epicurus writes a letter to Idomeneus, who was then a very powerful, wealthy, and it seems bountiful person, to recommend to him, who had made so many men rich, one Pythocles, a friend of his, whom he desired to be made a rich man too: But I entreat you that you would not do it just the same way as you have done to many less deserving persons, but in the most gentlemanly manner of obliging him, which is not to add anything to his estate, but to take something from his desires. The sum of this is, that for the uncertain hopes of some conveniences we ought not to defer the execution of a work that is necessary, especially when the use of those things which we would stay for may otherwise be supplied, but the loss of time never recovered. Nay, further yet, though we were sure to obtain all that we had a mind to, though we were sure of getting never so much by continuing the game, yet when the light of life is so near going out, and ought to be so precious, Le jeu ne vaut pas la chandelle, the play is not worth the expense of the candle. After having been long tossed in a tempest, if our masts be standing, and we have still sail and tackling enough to carry us to our port, it is no matter for the want of streamers and topgallants; utere velis totes pande sinus. A gentleman in our late civil wars, when his quarters were beaten up by the enemy, was taken prisoner and lost his life afterwards, only by staying to put on a band and adjust his periwig. He would escape like a person of quality, or not at all, and died the noble martyr of ceremony and gentility. I think your counsel of festina lente is as ill to a man who is flying from the world, as it would have been to that unfortunate well-bred gentleman, who was so cautious as not to fly undecently from his enemies, and therefore I prefer Horace’s advice before yours.
—Sapere ande; incipe.
Begin: the getting out of doors is the greatest part of the journey. Varro teaches us that Latin proverb, Portam itineri longissimam esse. But to return to Horace,
—Sapere aude;
Incipe. Virendi qui recte prorogat horam
Rusticus expectat dum labitur amnis; at ille
Labitur, et labetur is omne volubilis ævum.
Begin, be bold, and venture to be wise;
He who defers the work from day to day,
Does on a river’s bank expecting stay,
Till the whole stream which stopped him should be gone,
That runs, and as it runs, for ever will run on.
Cæsar (the man of expedition above all others) was so far from this folly, that whensoever in a journey he was to cross any river, he never went one foot out of his way for a bridge, or a ford, or a ferry; but flung himself into it immediately, and swam over; and this is the course we ought to imitate if we meet with any stops in our way to happiness. Stay till the waters are low, stay till some boats come by to transport you, stay till a bridge be built for you; you had even as good stay till the river be quite past. Persius (who, you used to say, you do not know whether he be a good poet or no, because you cannot understand him, and whom, therefore, I say, I know to be not a good poet) has an odd expression of these procrastinations, which, methinks, is full of fancy.
Jam cras hesterum consumpsimus, ecce aliud cras egerit hos annos.
Our yesterday’s to-morrow now is gone,
And still a new to-morrow does come on;
We by to-morrows draw up all our store,
Till the exhausted well can yield no more.
And now, I think, I am even with you, for your otium cum dignitate and festina lente, and three or four other more of your new Latin sentences: if I should draw upon you all my forces out of Seneca and Plutarch upon this subject, I should overwhelm you, but I leave those as triarii for your next charges. I shall only give you now a light skirmish out of an epigrammatist, your special good friend, and so, vale.
Mart. Lib. 5, Ep. 59.
To-morrow you will live, you always cry;
In what far country does this morrow lie,
That ’tis so mighty long ere it arrive?
Beyond the Indies does this morrow live?
’Tis so far-fetched, this morrow, that I fear
’Twill be both very old and very dear.
To-morrow I will live, the fool does say;
To-day itself’s too late, the wise lived yesterday.
Mart. Lib. 2, Ep. 90.
Wonder not, sir (you who instruct the town
In the true wisdom of the sacred gown),
That I make haste to live, and cannot hold
Patiently out, till I grow rich and old.
Life for delays and doubts no time does give,
None ever yet made haste enough to live.
Let him defer it, whose preposterous care
Omits himself, and reaches to his heir,
Who does his father’s bounded stores despise,
And whom his own, too, never can suffice:
My humble thoughts no glittering roofs require,
Or rooms that shine with ought be constant fire.
We ill content the avarice of my sight
With the fair gildings of reflected light:
Pleasures abroad, the sport of Nature yields
Her living fountains, and her smiling fields:
And then at home, what pleasure is ’t to see
A little cleanly, cheerful family?
Which if a chaste wife crown, no less in her
Than fortune, I the golden mean prefer.
Too noble, nor too wise, she should not be,
No, nor too rich, too fair, too fond of me.
Thus let my life slide silently away,
With sleep all night, and quiet all the day.
Other works by Abraham Cowley:
Some works by other baroque authors
- Sonnet 108: What’s in the brain that ink may character by William Shakespeare
- Sonnet 107: Not mine own fears, nor the prophetic soul by William Shakespeare
- Sonnet 106: When in the chronicle of wasted time by William Shakespeare
- Sonnet 105: Let not my love be called idolatry by William Shakespeare
- Sonnet 104: To me, fair friend, you never can be old by William Shakespeare
- Sonnet 103: Alack, what poverty my Muse brings forth by William Shakespeare
- Sonnet 102: My love is strengthened, though more weak in seeming by William Shakespeare
- Sonnet 101: O truant Muse, what shall be thy amends by William Shakespeare
- Sonnet 100: Where art thou, Muse, that thou forget’st so long by William Shakespeare
- Sonnet LIV by William Shakespeare
- Silvia by William Shakespeare
- Sigh No More by William Shakespeare
- Orpheus with his Lute Made Trees by William Shakespeare
- Orpheus by William Shakespeare
- Not marble nor the guilded monuments (Sonnet 55) by William Shakespeare
- Not from the stars do I my judgment pluck (Sonnet 14) by William Shakespeare
- Love by William Shakespeare
- It was a Lover and his Lass by William Shakespeare
- Hark! Hark! The Lark by William Shakespeare
- From you have I been absent in the spring… (Sonnet 98) by William Shakespeare
- from Venus and Adonis by William Shakespeare
- Fidele by William Shakespeare
- Fear No More by William Shakespeare
- Fairy Land v by William Shakespeare
- Fairy Land iv by William Shakespeare
- Fairy Land iii by William Shakespeare
- Fairy Land ii by William Shakespeare
- Dirge of the Three Queens by William Shakespeare
- Dirge by William Shakespeare
- Carpe Diem by William Shakespeare
- Bridal Song by William Shakespeare
- Blow, Blow, Thou Winter Wind by William Shakespeare
- Aubade by William Shakespeare
- A Lover’s Complaint by William Shakespeare
- A Fairy Song by William Shakespeare
- Sonnet 128: How oft, when thou, my music, music play’st by William Shakespeare
- Sonnet 149: Canst thou, O cruel, say I love thee not by William Shakespeare
- Sonnet 148: O me! what eyes hath love put in my head by William Shakespeare
- Sonnet 147: My love is as a fever, longing still by William Shakespeare
- Sonnet 146: Poor soul, the centre of my sinful earth by William Shakespeare
- Sonnet 145: Those lips that Love’s own hand did make by William Shakespeare
- Sonnet 144: Two loves I have, of comfort and despair by William Shakespeare
- Sonnet 143: Lo, as a careful huswife runs to catch by William Shakespeare
- Sonnet 142: Love is my sin, and thy dear virtue hate by William Shakespeare
- Sonnet 141: In faith, I do not love thee with mine eyes by William Shakespeare
- Sonnet 140: Be wise as thou art cruel; do not press by William Shakespeare
- Sonnet 13: O, that you were your self! But, love, you are by William Shakespeare
- Sonnet 138: When my love swears that she is made of truth by William Shakespeare
- Sonnet 137: Thou blind fool, Love, what dost thou to mine eyes by William Shakespeare
- Sonnet 136: If thy soul check thee that I come so near by William Shakespeare
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.