A poem by Aeschylus (c. 525 – c. 456 Before Christ )
STROPHE IV
Though Zeus plan all things right,
Yet is his heart’s desire full hard to trace;
Nathless in every place
Brightly it gleameth, e’en in darkest night,
Fraught with black fate to man’s speech-gifted race.
ANTISTROPHE IV
Steadfast, ne’er thrown in fight,
The deed in brow of Zeus to ripeness brought;
For wrapt in shadowy night,
Tangled, unscanned by mortal sight,
Extend the pathways of his secret thought.
STROPHE V
From towering hopes mortals he hurleth prone
To utter doom; but for their fall
No force arrayeth he; for all
That gods devise is without effort wrought.
A mindful Spirit aloft on holy throne
By inborn energy achieves his thought.
ANTISTROPHE V
But let him mortal insolence behold:–
How with proud contumacy rife,
Wantons the stem in lusty life
My marriage craving;–frenzy over-bold,
Spur ever-pricking, goads them on to fate,
By ruin taught their folly all too late.
STROPHE VI
Thus I complain, in piteous strain,
Grief-laden, tear-evoking, shrill;
Ah woe is me! woe! woe!
Dirge-like it sounds; mine own death-trill
I pour, yet breathing vital air.
Hear, hill-crowned Apia, hear my prayer!
Full well, O land,
My voice barbaric thou canst understand;
While oft with rendings I assail
My byssine vesture and Sidonian veil.
ANTISTROPHE VI
My nuptial right in Heaven’s pure sight
Pollution were, death-laden, rude;
Ah woe is me! woe! woe!
Alas for sorrow’s murky brood!
Where will this billow hurl me? Where?
Hear, hill-crowned Apia, hear my prayer;
Full well, O land,
My voice barbaric thou canst understand,
While oft with rendings I assail
My byssine vesture and Sidonian veil.
STROPHE VII
The oar indeed and home with sails
Flax-tissued, swelled with favoring gales,
Staunch to the wave, from spear-storm free,
Have to this shore escorted me,
Nor so far blame I destiny.
But may the all-seeing Father send
In fitting time propitious end;
So our dread Mother’s mighty brood,
The lordly couch may ‘scape, ah me,
Unwedded, unsubdued!
ANTISTROPHE VII
Meeting my will with will divine,
Daughter of Zeus, who here dost hold
Steadfast thy sacred shrine,–
Me, Artemis unstained, behold,
Do thou, who sovereign might dost wield,
Virgin thyself, a virgin shield;
So our dread Mother’s mighty brood
The lordly couch may ‘scape, ah me,
Unwedded, unsubdued!
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: The Winter It Is Past:
- Robert Burns: To Daunton Me:
- Robert Burns: Talk Of Him That’s Far Awa:
- Robert Burns: The Lad They Ca’Jumpin John:
- Robert Burns: Duncan Davison :
- Robert Burns: Hey, The Dusty Miller:
- Robert Burns: How Long And Dreary Is The Night :
- Robert Burns: Up In The Morning Early:
- Robert Burns: Raving Winds Around Her Blowing: I composed these verses on Miss Isabella M’Leod of Raza, alluding to her feelings on the death of her sister, and the still more melancholy death of her sister’s husband, the late Earl of Loudoun, who shot himself out of sheer heart-break at some mortifications he suffered, owing to the deranged state of his finances.-R.B., 1971.
- Robert Burns: My Hoggie:
- Robert Burns: Stay My Charmer:
- Robert Burns: M’Pherson’s Farewell:
- Robert Burns: To The Weavers Gin Ye Go:
- Robert Burns: I’m O’er Young To Marry Yet:
- Robert Burns: Clarinda, Mistress Of My Soul:
- Robert Burns: Go On, Sweet Bird, And Sooth My Care:
- Robert Burns: Love In The Guise Of Friendship:
- Robert Burns: Sylvander To Clarinda: Extempore Reply to Verses addressed to the Author by a Lady, under the signature of “Clarinda” and entitled, On Burns saying he ‘had nothing else to do.’
- Robert Burns: On The Death Of Robert Dundas, Esq., Of Arniston,: Late Lord President of the Court of Session.
- Robert Burns: Birthday Ode For 31st December, 1787:
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.