A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Extempore On Some Commemorations Of Thomson:
- Robert Burns: Epigram On Seeing Miss Fontenelle In A Favourite Character:
- Robert Burns: The Rights Of Woman: An Occasional Address. Spoken by Miss Fontenelle on her benefit night, November 26, 1792.
- Robert Burns: Auld Rob Morris:
- Robert Burns: Highland Mary:
- Robert Burns: My Wife’s A Winsome Wee Thing:
- Robert Burns: I’ll Meet Thee On The Lea Rig:
- Robert Burns: Fragment Of Song:
- Robert Burns: Saw Ye Bonie Lesley:
- Robert Burns: Love For Love:
- Robert Burns: Bessy And Her Spinnin’ Wheel:
- Robert Burns: The Country Lass:
- Robert Burns: The Deil’s Awa Wi’ The Exciseman:
- Robert Burns: The Deuks Dang O’er My Daddie:
- Robert Burns: O Can Ye Labour Lea?:
- Robert Burns: The Slave’s Lament:
- Robert Burns: Kellyburn Braes:
- Robert Burns: Lady Mary Ann:
- Robert Burns: Sic A Wife As Willie Had:
- Robert Burns: My Collier Laddie:
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.