HOW wisdom and Folly meet, mix, and unite,
How Virtue and Vice blend their black and their white,
How Genius, th’ illustrious father of fiction,
Confounds rule and law, reconciles contradiction,
I sing: If these mortals, the critics, should bustle,
I care not, not I—let the Critics go whistle!
But now for a Patron whose name and whose glory,
At once may illustrate and honour my story.
Thou first of our orators, first of our wits;
Yet whose parts and acquirements seem just lucky hits;
With knowledge so vast, and with judgment so strong,
No man with the half of ’em e’er could go wrong;
With passions so potent, and fancies so bright,
No man with the half of ’em e’er could go right;
A sorry, poor, misbegot son of the Muses,
For using thy name, offers fifty excuses.
Good L—d, what is Man! for as simple he looks,
Do but try to develop his hooks and his crooks;
With his depths and his shallows, his good and his evil,
All in all he’s a problem must puzzle the devil.
On his one ruling passion Sir Pope hugely labours,
That, like th’ old Hebrew walking-switch, eats up its neighbours:
Mankind are his show-box—a friend, would you know him?
Pull the string, Ruling Passion the picture will show him,
What pity, in rearing so beauteous a system,
One trifling particular, Truth, should have miss’d him;
For, spite of his fine theoretic positions,
Mankind is a science defies definitions.
Some sort all our qualities each to its tribe,
And think human nature they truly describe;
Have you found this, or t’other? There’s more in the wind;
As by one drunken fellow his comrades you’ll find.
But such is the flaw, or the depth of the plan,
In the make of that wonderful creature called Man,
No two virtues, whatever relation they claim.
Nor even two different shades of the same,
Though like as was ever twin brother to brother,
Possessing the one shall imply you’ve the other.
But truce with abstraction, and truce with a Muse
Whose rhymes you’ll perhaps, Sir, ne’er deign to peruse:
Will you leave your justings, your jars, and your quarrels,
Contending with Billy for proud-nodding laurels?
My much-honour’d Patron, believe your poor poet,
Your courage, much more than your prudence, you show it:
In vain with Squire Billy for laurels you struggle:
He’ll have them by fair trade, if not, he will smuggle:
Not cabinets even of kings would conceal ’em,
He’d up the back stairs, and by G—, he would steal ’em,
Then feats like Squire Billy’s you ne’er can achieve ’em;
It is not, out-do him—the task is, out-thieve him!
—————
The End
And that’s the End of the Poem
© Poetry Monster, 2021.
Poetry Monster — the ultimate repository of world poetry.
Poetry Monster — the multilingual library of poetic works. Here you’ll find original poems, poetry translations, ancient verses, ballads and even folk tales.
Poetry Monster (or even The Poetry Monster) — is also an international multilingual community of poets and poetry connoisseurs. Join us:
Some external links: The Bat’s Poetry Cave. — Fledermaus’s poetry site. Talking Writing Monster. — the irreverent and irrelevant chatter on subjects both serious and not quite. A free for all board. You can scribble anything on it without registration (but it doesn’t let spammers in). You can even post your poems. Qwant.com. — a search engine from France. It’s an alternative because there are a few alternatives, like Bing, Duckduckgo, and Ecosia. And there is Yandex, the ultimate language-oriented search engine for the Russophone world. Commercial Links: Russian Commerce – the foreign trade assistance agency Other links: Poems and poetry in Russian (if you are reading this in English, as you obviously are, then you’d have to switch the language, the language switch is on the menu. More on languages)
Robert Burns, (born January 25, 1759, Alloway, Ayrshire, Scotland—died July 21, 1796, Dumfries, Dumfriesshire), national poet of Scotland. He wrote lyrics, ballads and songs in Scots and in English. He was also notable for his amorous adventures and his rebellion against religion and morality.