A poem by Adrienne Cecile Rich (1929 – 2012)
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: “Delicious recollections
float like perfume through the memory.”
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she’s let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle’s snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning’s grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes’ heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn…
Reading while waiting
for the iron to heat,
writing, My Life had stood–a Loaded Gun–
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine–
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
“To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.”
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
“You all die at fifteen,” said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were–fire, tears,
wit, taste, martyred ambition–
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time’s precious chronic invalid,–
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us–
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she’s long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
A few random poems:
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- Robert Burns: Sweet Afton :
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Epitaph For James Smith:
- Robert Burns: Epitaph On John Dove, Innkeeper:
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- Robert Burns: Halloween: The following poem will, by many readers, be well enough understood; but for the sake of those who are unacquainted with the manners and traditions of the country where the scene is cast, notes are added to give some account of the principal charms and spells of that night, so big with prophecy to the peasantry in the west of Scotland. The passion of prying into futurity makes a striking part of the history of human nature in its rude state, in all ages and nations; and it may be some entertainment to a philosophic mind, if any such honour the author with a perusal, to see the remains of it among the more unenlightened in our own.-R.B.
- Robert Burns: Farewell To Ballochmyle:
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- Robert Burns: Second Epistle to Davie: A Brother Poet
- Robert Burns: Masonic Song:
- Robert Burns: Lines On Meeting With Lord Daer:
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- Robert Burns: Farewell Song To The Banks Of Ayr: “I composed this song as I conveyed my chest so far on my road to Greenock, where I was to embark in a few days for Jamaica. I meant it as my farewell dirge to my native land.”-R. B.
- Robert Burns: O Thou Dread Power: Lying at a reverend friend’s house one night, the author left the following verses in the room where he slept:-
- Robert Burns: Epigram On Rough Roads:
- Robert Burns: Fragment Of Song:
- Robert Burns: The Brigs Of Ayr: Inscribed to John Ballantine, Esq., Ayr.
- Robert Burns: Reply To A Trimming Epistle Received From A Tailor:
- Robert Burns: Willie Chalmers: Mr. Chalmers, a gentleman in Ayrshire, a particular friend of mine, asked me to write a poetic epistle to a young lady, his Dulcinea. I had seen her, but was scarcely acquainted with her, and wrote as follows:-
- Robert Burns: Nature’s Law – A Poem: Humbly inscribed to Gavin Hamilton, Esq.
- Robert Burns: The Calf: To the Rev. James Steven, on his text, Malachi, ch. iv. vers. 2. “And ye shall go forth, and grow up, as Calves of the stall.”
- Robert Burns: Thomson’s Edward and Eleanora.:
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Adrienne Cecile Rich (1929 – 2012) was an American poet, essayist, and feminist.