A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Song Of The Parao Camping Ground
- Владимир Бенедиктов – Дом в цветах
- Writing to Onegin by Ruth Padel
- The Owl And The Lark poem – Alfred Austin
- Ольга Высотская – Первые заморозки
- Miserimus
- The Time Around Scars by Michael Ondaatje
- By Garpal Stream by Stanley Wilkin
- Юлия Друнина – Верность
- The Black Hawk War of the Artists by Vachel Lindsay
- Юнна Мориц – Попрыгать-поиграть
- Whoever Comes From The Earth by Nelly Sachs
- Robert Burns: Verses Written With A Pencil Over the Chimney-piece in the Parlour of the Inn at Kenmore, Taymouth.:
- They won’t Know by Rifat Ilgaz
- Robert Burns: Impromptu On Carron Iron Works:
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Limbo Under the Westway poem – André Rostant poems
- A Rainy Night poem – André Rostant poems
- “European Union” by the (Roman/German) Eagles
- 決定
- Decision
- 我的妻子。 安德烈·布勒東一首關於自由戀愛的詩
- Less Time poem – Andre Breton poems
- Freedom of Love poem | L’Union Libre (Ma Femme) – Andre Breton poems
- Le Verbe Etre poem – Andre Breton poems
- Five Ways To Kill A Man poem – Andre Breton poems
- Always for the first time
- I have a dream
- Putin, Our Savior and Dear Friend
- Shame
- A Poem about Lemonade
- About Wedding Dress
- Spirituality of Gerard Manley Hopkins, Gerard Manley Hopkins: a shepherd poet
- What Shall I Do For the Land that Bred Me poem – Gerard Manley Hopkins poems
- What Being in Rank-Old Nature poem – Gerard Manley Hopkins poems
- Tom’s Garland poem – Gerard Manley Hopkins poems
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.