A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
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- Voltaire At Ferney by W H Auden
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- Владислав Крапивин – Под ветрами нам плыть
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- The Tom Toms
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- Gleaners Of Fame poem – Alfred Austin
- English Poetry. Madison Julius Cawein. Home. Мэдисон Джулиус Кавейн.
- Sonnet # 18 by Luis A. Estable
- Владимир Маяковский – Да здравствует III интернационал! (РОСТА № 140)
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: The Farewell:
- Robert Burns: Stanzas On Naething: Extempore Epistle to Gavin Hamilton, Esq.
- Robert Burns: Lines Written On A Banknote:
- Robert Burns: Lines To Mr. John Kennedy:
- Robert Burns: Motto Prefixed To The Author’s First Publication:
- Robert Burns: Lines To An Old Sweetheart:
- Robert Burns: The Lass O’ Ballochmyle:
- Robert Burns: Epitaph On “Wee Johnie”: Hic Jacet wee Johnie.
- Robert Burns: Epitaph For Gavin Hamilton, Esq.:
- Robert Burns: Epitaph For Robert Aiken, Esq.:
- Robert Burns: A Bard’s Epitaph:
- Robert Burns: Farewell To Eliza:
- Robert Burns: On A Scotch Bard, Gone To The West Indies:
- Robert Burns: The Farewell To the Brethren of St. James’ Lodge, Tarbolton:
- Robert Burns: Versified Note To Dr. Mackenzie, Mauchline:
- Robert Burns: A Dedication : To Gavin Hamilton, Esq.
- Robert Burns: A Dream: Thoughts, words, and deeds, the Statute blames with reason; But surely Dreams were ne’er indicted Treason. On reading, in the public papers, the Laureate’s Ode, with the other parade of June 4th, 1786, the Author was no sooner dropt asleep, than he imagined himself transported to the Birth-day Levee: and, in his dreaming fancy, made the following Address:
- Robert Burns: Address Of Beelzebub: To the Right Honourable the Earl of Breadalbane, President of the Right Honourable and Honourable the Highland Society, which met on the 23rd of May last at the Shakespeare, Covent Garden, to concert ways and means to frustrate the designs of five hundred Highlanders, who, as the Society were informed by Mr. M’Kenzie of Applecross, were so audacious as to attempt an escape from their lawful lords and masters whose property they were, by emigrating from the lands of Mr. Macdonald of Glengary to the wilds of Canada, in search of that fantastic thing-Liberty.
- Robert Burns: Epistle To A Young Friend:
- Robert Burns: My Highland Lassie, O:
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.