A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- The Heritage by Siegfried Sassoon
- Olney Hymn 54: Love Constraining To Obedience by William Cowper
- The Passing Of Arthur poem – Lord Alfred Tennyson poems
- did you die, Ophelia? by Raj Arumugam
- Lit Instructor by William Stafford
- Robert Burns: Bonie Jean-A Ballad:
- Robert Burns: Will Ye Go To The Indies, My Mary?:
- Шекспир – Любовь к себе моим владеет взором – Сонет 62
- Lycidas poem – John Milton poems
- Sonnet VI. To G. A. W. poem – John Keats poems
- Sonnet LXVII by William Shakespeare
- Valediction Forbidding Mourning
- Высоцкий – Спасибо, что живой: стих, текст “Мой черный человек в костюме сером” – Poetry Monster
- Николай Языков – Альпийская песня
- Юрий Котов – Ты что-же боль, меня не отпускаешь
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Licorice Fields at Pontefract poem – John Betjeman poems
- The Last Laugh poem – John Betjeman poems
- The Irish Unionist’s farewell to Greta Hellastrom in 1922 poem – John Betjeman poems
- The Hon. Sec. poem – John Betjeman poems
- The Cottage Hospital poem – John Betjeman poems
- Sun and Fun poem – John Betjeman poems
- South London Sketch poem – John Betjeman poems
- Slough poem – John Betjeman poems
- Senex poem – John Betjeman poems
- Seaside Golf poem – John Betjeman poems
- On a Portrait of a Deaf Man poem – John Betjeman poems
- Myfanwy poem – John Betjeman poems
- Mortality poem – John Betjeman poems
- Middlesex poem – John Betjeman poems
- Meditation on the A30 poem – John Betjeman poems
- Loneliness poem – John Betjeman poems
- Ireland With Emily poem – John Betjeman poems | Poems and Poetry
- Inexpensive Progress poem – John Betjeman poems | Poems and Poetry
- In Westminster Abbey poem – John Betjeman poems | Poems and Poetry
- How To Get On In Society poem – John Betjeman poems | Poems and Poetry
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.