A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Summer Enclosed In A Semi-Dark Cup by Nijole Miliauskaite
- Владимир Корнилов – Собака подлеца
- Robert Burns Country: In The Character Of A Ruined Farmer:
- The Choral Union by Siegfried Sassoon
- Николай Заболоцкий – Битва с предками
- A Wicker Basket by Robert Creeley
- Human Joys
- The Road To Ruin by Siegfried Sassoon
- Юрий Коринец – Листопад
- Fickle Fortune: A Fragment by Robert Burns
- Robert Burns: What Can A Young Lassie Do Wi’ An Auld Man:
- Низами Гянджеви – Ну, как живешь
- At Sea
- Владимир Маяковский – Рабочий корреспондент
- The Death Bed by Thomas Hood
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Forex Trading Strategies – Divining the Mysteries of Candlestick Charts and Patterns
- Numbers and the Bible
- Quality Customer Service – How to Measure Customer Satisfaction
- Ethiopia – Lalibela
- Different World Views of Art
- Distributive Trade II – The Wholesaler
- 12 Surefire Brainstorming Techniques
- Factors Affecting the Labor Market – Determination of Wages and The Activities of Trade Unions
- How To Achieve Self-Realization, The Mother of All Knowledge?
- The Cosmic Eggs
- What Are Solar Roofing Shingles?
- Howard Stern’s Wine
- Style Ideas For Vests For Women
- A Life Of Lorenzo Da Ponte:Talent Flies; Practical Reason Walks
- How to Make Money Online Writing and Selling eBooks
- Cinema Therapy and The MovieMaking Process
- God’s Work Ethics
- Article Writing – Revealed – 4 Priceless Methods to Make Money Through Article Writing
- 71 Ways For A Writer To Make Money
- Secrets of Academic Success: Passion
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.