A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Ballade: In favour of those called Decadents and Symbolists, Translation of Paul Verlaine’s Ballade: En faveur des dénommés Déca by T Wignesan
- Robert Burns: Sweet Tibbie Dunbar:
- Farewell to Hsin Chien at Hibiscus Pavilion by Wang Wei
- Ultima Thule by William Ellery Leonard
- Grammer’s Shoes by William Barnes
- Did Not by Thomas Moore
- A River Flows Underground by Satish Verma
- Proclamation Without Pretension by Tristan Tzara
- Thou Reader. by Walt Whitman
- What the Captain Said at the Point-to-Point by Siegfried Sassoon
- Recollection of the Arabian Nights poem – Lord Alfred Tennyson poems
- Flight To Nature by William Gilmore Simms
- Blank by Nizar Sartawi
- Николай Языков – Подражание псалму XIV
- Friends by Vishü Rita Krocha
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Как папа женился
- К той, что названа Кариной
- Как Лера чудо искала
- Как Муромец Илья когда-то
- Как на Масляной неделе
- К 8-му марта
- К нам приходит в день февральский снежною тропой
- Из головы у меня не выходишь
- Из всех искусств кинематограф
- Иван Варавва – Жаворонок
- Иван Варавва – В закубанском лесу
- Иван Варавва – Выйду в степь, на поля плодородные
- Иван Варавва – Раскинет объятия поле
- Иван Варавва – Соловей на веточке
- Иван Варавва – Кубань
- Иван Варавва – Мать Кубань
- Иван Варавва – На окраине села
- Иван Мятлев – Соловей
- Иван Мятлев – Старушка
- Иван Мятлев – Звезда
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.