A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- Her Triumph by William Butler Yeats
- A soul’s DESIRE by Neelam Sinha
- In Hardwood Groves by Robert Frost
- The Lights Of New York by Sara Teasdale
- Additions: The Fire at Tranter Sweatley’s by Thomas Hardy
- Perseus by Sylvia Plath
- The Ghost’s Leavetaking by Sylvia Plath
- Robert Burns: Inscription To Miss Jessy Lewars: On a copy of the Scots Musical Museum, in four volumes, presented to her by Burns.
- After-Thought by William Wordsworth
- The River Has Its Memories by Mary Etta Metcalf
- A Singer by William Allingham
- Blue Evening by Rupert Brooke
- Astrophel and Stella LXXXIV: HIGHWAY by Sir Philip Sidney
- To Independence by Tobias Smollett
- Олег Бундур – Для чего бывает день
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: I Hae Been At Crookieden:
- Robert Burns: Ye Jacobites By Name:
- Robert Burns: Such A Parcel Of Rogues In A Nation:
- Robert Burns: Frae The Friends And Land I Love:
- Robert Burns: Nithsdale’s Welcome Hame:
- Robert Burns: Address To The Shade Of Thomson: On Crowning His Bust at Ednam, Roxburghshire, with a Wreath of Bays.
- Robert Burns: Sweet Afton :
- Robert Burns: My Bonie Bell:
- Robert Burns: Thou Fair Eliza:
- Robert Burns: O For Ane An’ Twenty, Tam :
- Robert Burns: My Tocher’s The Jewel:
- Robert Burns: Altho’ He Has Left Me:
- Robert Burns: My Eppie Macnab:
- Robert Burns: Johnie Lad, Cock Up Your Beaver:
- Robert Burns: Damon And Sylvia: Fragment
- Robert Burns: Lovely Polly Stewart:
- Robert Burns: You’re Welcome, Willie Stewart:
- Robert Burns: Epigram At Brownhill Inn:
- Robert Burns: The Gallant Weaver:
- Robert Burns: Verses On The Destruction Of The Woods Near Drumlanrig:
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.