A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
A few random poems:
- The Well Of Love by Walter William Safar
- Troopin’ by Rudyard Kipling
- Михаил Лермонтов – Блистая, пробегают облака
- Михаил Лермонтов – Война
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- Sonnet: “It is not to be thought of” by William Wordsworth
- Владимир Набоков – Поэт
- Gyrations by Satish Verma
- The Mocking Bird by Timothy Thomas Fortune
- A Poplar and the Moon by Siegfried Sassoon
- Song—Farewell to the Banks of Ayr by Robert Burns
- For the Men at the Front by John Oxenham
- Summer Enclosed In A Semi-Dark Cup by Nijole Miliauskaite
- Олег Бундур – Папа собирается на рыбалку
- Cavern in Paradise by Rita Odessa Villaruel
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: The Winter It Is Past:
- Robert Burns: To Daunton Me:
- Robert Burns: Talk Of Him That’s Far Awa:
- Robert Burns: The Lad They Ca’Jumpin John:
- Robert Burns: Duncan Davison :
- Robert Burns: Hey, The Dusty Miller:
- Robert Burns: How Long And Dreary Is The Night :
- Robert Burns: Up In The Morning Early:
- Robert Burns: Raving Winds Around Her Blowing: I composed these verses on Miss Isabella M’Leod of Raza, alluding to her feelings on the death of her sister, and the still more melancholy death of her sister’s husband, the late Earl of Loudoun, who shot himself out of sheer heart-break at some mortifications he suffered, owing to the deranged state of his finances.-R.B., 1971.
- Robert Burns: My Hoggie:
- Robert Burns: Stay My Charmer:
- Robert Burns: M’Pherson’s Farewell:
- Robert Burns: To The Weavers Gin Ye Go:
- Robert Burns: I’m O’er Young To Marry Yet:
- Robert Burns: Clarinda, Mistress Of My Soul:
- Robert Burns: Go On, Sweet Bird, And Sooth My Care:
- Robert Burns: Love In The Guise Of Friendship:
- Robert Burns: Sylvander To Clarinda: Extempore Reply to Verses addressed to the Author by a Lady, under the signature of “Clarinda” and entitled, On Burns saying he ‘had nothing else to do.’
- Robert Burns: On The Death Of Robert Dundas, Esq., Of Arniston,: Late Lord President of the Court of Session.
- Robert Burns: Birthday Ode For 31st December, 1787:
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.