A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
A few random poems:
- Between the Dusk of a Summer Night by William Ernest Henley
- Олег Бундур – Бабушка под зонтиком
- Robert Burns: Complimentary Versicles To Jessie Lewars: On Her Recovery
- Extempore in the Court of Session by Robert Burns
- Pax Britannica poem – Alfred Austin
- Зинаида Александрова – Мы оделись раньше всех
- Meary-Ann’s Child by William Barnes
- Impromptu on Carron Iron Works by Robert Burns
- Midsummer Mobile by Sylvia Plath
- A Little Te Deum Of The Commonplace by John Oxenham
- On The Death Of The Bishop Of Ely. Anno Aet. 17. (Translated From Milton) by William Cowper
- Новелла Матвеева – Будьте, как дети
- Катя Пиксаева – Давай поговорим о доброте
- Wisdom by Siegfried Sassoon
- A Dialogue Betwixt Himself and Mistress Eliza Wheeler, under the Name of Amarillis by Robert Herrick
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- For K. J., Leaving and Coming Back by Marilyn Hacker
- Exiles by Marilyn Hacker
- Desesperanto by Marilyn Hacker
- Dear Alzheimer’s by Maria Knox
- Colors Passing Through Us by Marge Piercy
- Children of My Own by Marie Starr
- Belly Good by Marge Piercy
- Baseball and Writing by Marianne Moore
- Barbie Doll by Marge Piercy
- Attack of the Squash People by Marge Piercy
- Always Unsuitable by Marge Piercy
- about emptiness… by Marina Cecilia Kohon
- A Work Of Artifice by Marge Piercy
- A Grave by Marianne Moore
- Woman by Manmohan Acharya
- Without exile, who am I? by Mahmoud Darwish
- Winter’s End by Mac McGovern
- Wind by Mac McGovern
- What these girl means to me by Maphoto selokela
- Two Stranger Birds in Our Feathers by Mahmoud Darwish
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.