A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
A few random poems:
- Maternal Grief by William Wordsworth
- Низами Гянджеви – Расступился черный мускус
- Валерий Брюсов – Петербург (Здесь снов не ваял Сансовино)
- Creativity Tool – The Five Senses
- How Long by Jalal ad-Din Muhammad Rumi
- Lying on a Slab by Satish Verma
- In Memoriam F.O.S. by Sara Teasdale
- Омар Хайям – Ну, допустим, что будет тебе и почет
- Ode To A Loved One by Sappho
- Михаил Лермонтов – Воля
- Tame Cat poem – Ezra Pound poems
- Cleared by Rudyard Kipling
- Smoke by Théophile Gautier
- Юнна Мориц – Зимнее
- Владимир Высоцкий – Веселая покойницкая
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Scots Prologue for Mr. Sutherland by Robert Burns
- Sappho Redivivus: A Fragment by Robert Burns
- Robert Bruce’s March to Bannockburn (Song) by Robert Burns
- Rhyming Reply to a Note from Captain Riddell by Robert Burns
- Reply to the Threat of a Censorious Critic by Robert Burns
- Reply to an Announcement by J. Rankine by Robert Burns
- Reply to a Trimming Epistle, received from a Tailor by Robert Burns
- Remorseful Apology by Robert Burns
- Remorse: A Fragment by Robert Burns
- Prologue, spoken by Mr. Woods at Edinburgh by Robert Burns
- Prologue spoken at the Theatre of Dumfries by Robert Burns
- Prayer—O Thou Dread Power by Robert Burns
- Poor Mailie’s Elegy by Robert Burns
- Poem on Sensibility by Robert Burns
- Song—A Waukrife Minnie by Robert Burns
- Song—A Rose-bud by my Early Walk by Robert Burns
- Song—A Man’s a Man for a’ that by Robert Burns
- Song—A Lass wi’ a Tocher by Robert Burns
- Song—A Health to them that’s awa by Robert Burns
- Song—A Health to ane I loe dear by Robert Burns
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.