A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
A few random poems:
- Erasing Amyloo by Russell Edson
- Омар Хайям – Мы пешки, небо же игрок
- On A Good Man (From The Greek) by William Cowper
- Years by Sylvia Plath
- Владимир Маяковский – Не только для того, чтоб тебя накормить… (Главполитпросвет №2)
- Валерий Брюсов – Последнее желанье
- Self-Portrait poem – Andrei Voznesensky poems
- Time Well-Served by Luis Estable
- With How Sad Steps, O Moon, Thou Climb’st the Sky by William Wordsworth
- Eco en la madrugada by Mara Romero Torres
- Diya {original title is Greek, Delta-iota-psi-alpha} poem – Amy Lowell poems | Poems and Poetry
- Hurting Dive by Satish Verma
- To Be Carved On A Stone At Thoor Ballylee by William Butler Yeats
- Robert Burns: Epigram On The Said Occasion [On A Henpecked Country Squire]:
- Владислав Крапивин – Было все хорошо до недавней поры
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Poor Mailie’s Elegy by Robert Burns
- Poem on Sensibility by Robert Burns
- Pegasus at Wanlockhead by Robert Burns
- Paraphrase of the First Psalm by Robert Burns
- One Night as I did Wander by Robert Burns
- On the late Captain Grose’s Peregrinations by Robert Burns
- On the Death of Robert Dundas, Esq., of Arniston by Robert Burns
- On the Death of John M’Leod, Esq. by Robert Burns
- On the Birth of a Posthumous Child by Robert Burns
- On Tam the Chapman by Robert Burns
- On seeing Mrs. Kemble in Yarico by Robert Burns
- On Scaring some Water-Fowl in Lock Turit by Robert Burns
- On Glenriddell’s Fox breaking his chain: A Fragment by Robert Burns
- On Elphinstone’s Translation of Martial’s Epigrams by Robert Burns
- On Chloris requesting a sprig of blossom’d thorn by Robert Burns
- Oh Wert Thou In The Cauld Blast by Robert Burns
- Ode, Sacred to the Memory of Mrs. Oswald of Auchencruive by Robert Burns
- Ode on the Departed Regency Bill by Robert Burns
- Ode for General Washington’s Birthday by Robert Burns
- Note to Mr. Renton of Lamerton by Robert Burns
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.