A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- English Poetry. Thomas Moore. From “The Odes of Anacreon”. Ode 56. Томас Мур.
- English Poetry. Thomas Moore. From “The Odes of Anacreon”. Ode 66. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 103. The Mountain Spite. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 99. ’Twas One of Those Dreams. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 91. Oh, Ye Dead!. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 85. Oh For the Swords of Former Time. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 58. Farewell! – But Whenever You Welcome the Hour. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 44. She Is Far From the Land. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 26. Erin, Oh Erin. Томас Мур.
- English Poetry. Mark Akenside. The Pleasures of Imagination. Марк Эйкенсайд.
- English Poetry. Thomas Moore. From “Irish Melodies”. 22. Let Erin Remember the Days of Old. Томас Мур.
- English Poetry. Richard Hovey. The Old Pine. Ричард Хави.
- English Poetry. Richard Hovey. John Keats. Ричард Хави.
- English Poetry. Madison Julius Cawein. Haunted. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Going for the Cows. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Garden and Gardener. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Forevermore. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Finale. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Evasion. Мэдисон Джулиус Кавейн.
- Copywriting Agency Foundation For Prosperous Business
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.