A poem by Aeschylus (c. 525 – c. 456 Before Christ )
MESSENGER
Now at the Seventh Gate the seventh chief,
Thy proper mother’s son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:–on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o’er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:–
“This man I will restore, and he shall hold
The city and his father’s palace homes.”
Such the devices of the hostile chiefs.
‘Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!
ETEOCLES
O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father’s curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,–
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth’s fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I’ll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Spenserian Stanzas On Charles Armitage Brown poem – John Keats poems
- Spenserian Stanza. Written At The Close Of Canto II, Book V, Of “The Faerie Queene” poem – John Keats poems
- Specimen Of An Induction To A Poem poem – John Keats poems
- Sonnet XVII. Happy Is England poem – John Keats poems
- Sonnet XVI. To Kosciusko poem – John Keats poems
- Sonnet XV. On The Grasshopper And Cricket poem – John Keats poems
- Sonnet XIV. Addressed To The Same (Haydon) poem – John Keats poems
- Sonnet X. To One Who Has Been Long In City Pent poem – John Keats poems
- Sonnet XIII. Addressed To Haydon poem – John Keats poems
- Sonnet XII. On Leaving Some Friends At An Early Hour poem – John Keats poems
- Sonnet XI. On First Looking Into Chapman’s Homer poem – John Keats poems
- Sonnet. Written Upon The Top Of Ben Nevis poem – John Keats poems
- Sonnet. Written On A Blank Space At The End Of Chaucer’s Tale Of ‘The Floure And The Lefe’ poem – John Keats poems
- Sonnet. Written On A Blank Page In Shakespeare’s Poems, Facing ‘A Lover’s Complaint’ poem – John Keats poems
- Sonnet. Written In Disgust Of Vulgar Superstition poem – John Keats poems
- Sonnet. Written In Answer To A Sonnet By J. H. Reynolds poem – John Keats poems
- Sonnet. Written Before Re-Read King Lear poem – John Keats poems
- Sonnet. Why Did I Laugh Tonight? poem – John Keats poems
- Sonnet: When I Have Fears That I May Cease To Be poem – John Keats poems
- Sonnet VIII. To My Brothers poem – John Keats poems
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.