A poem by Aeschylus (c. 525 – c. 456 Before Christ )
NURSE
Our mistress bids me with all speed to call
Aegisthus to the strangers, that he come
And hear more clearly, as a man from man,
This newly brought report. Before her slaves,
Under set eyes of melancholy cast,
She hid her inner chuckle at the events
That have been brought to pass–too well for her,
But for this house and hearth most miserably,–
As in the tale the strangers clearly told.
He, when he hears and learns the story’s gist,
Will joy, I trow, in heart. Ah, wretched me!
How those old troubles, of all sorts made up,
Most hard to bear, in Atreus’s palace-halls
Have made my heart full heavy in my breast!
But never have I known a woe like this.
For other ills I bore full patiently,
But as for dear Orestes, my sweet charge,
Whom from his mother I received and nursed . . .
And then the shrill cries rousing me o’ nights,
And many and unprofitable toils
For me who bore them. For one needs must rear
The heedless infant like an animal,
(How can it else be?) as his humor serve
For while a child is yet in swaddling clothes,
It speaketh not, if either hunger comes,
Or passing thirst, or lower calls of need;
And children’s stomach works its own content.
And I, though I foresaw this, call to mind,
How I was cheated, washing swaddling clothes,
And nurse and laundress did the selfsame work.
I then with these my double handicrafts,
Brought up Orestes for his father dear;
And now, woe’s me! I learn that he is dead,
And go to fetch the man that mars this house;
And gladly will he hear these words of mine.
A few random poems:
- Robert Burns: Elegy On “Stella”: The following poem is the work of some hapless son of the Muses who deserved a better fate. There is a great deal of “The voice of Cona” in his solitary, mournful notes; and had the sentiments been clothed in Shenstone’s language, they would have been no discredit even to that elegant poet.-R.B.
- Adolescence I by Rita Dove
- PURE STEEL by Satish Verma
- Ghazal 119 by Jalal ad-Din Muhammad Rumi
- Conversation Among The Ruins by Sylvia Plath
- Prison Souvenirs, Translation of Paul Verlaine’s poem: Prière by T. Wignesan.
- Владимир Гиляровский – Песня Дона
- Last Invocation, The. by Walt Whitman
- Teasing by Pamela Griffiths
- Владимир Бенедиктов – На гулянье
- Love Of Life poem – Alfred Austin
- A Father Out, An’ Mother Hwome by William Barnes
- Владимир Британишский – Ностальгия
- Momma Welfare Roll by Maya Angelou
- Tell Me
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- In Praise Of England poem – Alfred Austin
- Impromptu: To Frances Garnet Wolseley poem – Alfred Austin
- If I To You But Sorry Bring poem – Alfred Austin
- I Chide Not At The Seasons poem – Alfred Austin
- Hymn To Death poem – Alfred Austin
- Grandmother’s Teaching poem – Alfred Austin
- Gleaners Of Fame poem – Alfred Austin
- Farewell To Spring poem – Alfred Austin
- The Golden Age poem – Alfred Austin
- “The flower, full blown, now bends the stalk, now breaks” poem – Alfred Austin
- The Fallen Elm poem – Alfred Austin
- The Evening Light poem – Alfred Austin
- The Dregs Of Love poem – Alfred Austin
- The Door Of Humility poem – Alfred Austin
- The Death Of Huss poem – Alfred Austin
- The Dance At Darmstadt poem – Alfred Austin
- The Challenge Answered poem – Alfred Austin
- The Aquittal Of Phryne poem – Alfred Austin
- “Take not the Gods to task, for they are wise” poem – Alfred Austin
- Sweet Love Is Dead poem – Alfred Austin
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.