All-Conquering Death! by thy resistless pow’r,
Hope’s tow’ring plumage falls to rise no more!
Of scenes terrestrial how the glories fly,
Forget their splendors, and submit to die!
Who ere escap’d thee, but the saint of old
Beyond the flood in sacred annals told,
And the great sage, whom fiery coursers drew
To heav’n’s bright portals from Elisha’s view;
Wond’ring he gaz’d at the refulgent car,
Then snatch’d the mantle floating on the air.
From Death these only could exemption boast,
And without dying gain’d th’ immortal coast.
Not falling millions sate the tyrant’s mind,
Nor can the victor’s progress be confin’d.
But cease thy strife with Death, fond Nature, cease:
He leads the virtuous to the realms of peace;
His to conduct to the immortal plains,
Where heav’n’s Supreme in bliss and glory reigns.
There sits, illustrious Sir, thy beauteous spouse;
A gem-blaz’d circle beaming on her brows.
Hail’d with acclaim among the heav’nly choirs,
Her soul new-kindling with seraphic fires,
To notes divine she tunes the vocal strings,
While heav’n’s high concave with the music rings.
Virtue’s rewards can mortal pencil paint?
No–all descriptive arts, and eloquence are faint;
Nor canst thou, Oliver, assent refuse
To heav’nly tidings from the Afric muse.
As soon may change thy laws, eternal fate,
As the saint miss the glories I relate;
Or her Benevolence forgotten lie,
Which wip’d the trick’ling tear from Misry’s eye.
Three amiable Daughters who died when just arrived to Womens Estate.
Whene’er the adverse winds were known to blow,
When loss to loss * ensu’d, and woe to woe,
Calm and serene beneath her father’s hand
She sat resign’d to the divine command.
No longer then, great Sir, her death deplore,
And let us hear the mournful sigh no more,
Restrain the sorrow streaming from thine eye,
Be all thy future moments crown’d with joy!
Nor let thy wishes be to earth confin’d,
But soaring high pursue th’ unbodied mind.
Forgive the muse, forgive th’ advent’rous lays,
That fain thy soul to heav’nly scenes would raise.
End of the poem
15 random poems
- À ce point du voyage by Martine Morillon-Carreau
- Омар Хайям – Кто битым жизнью был, тот большего добьется
- The Pulling Away by Timothy Cole
- Easter, 1916 by William Butler Yeats
- Аnything can happen
- Epigram on Rough Roads by Robert Burns
- Ballade Of His Books poem – Andrew Lang poems
- Владимир Орлов – Как появились ромашки
- Epitaph on the same by Robert Burns
- Crazy Jane Talks With The Bishop by William Butler Yeats
- Олег Бундур – Если вы придёте в лес
- life begins tomorrow by Raj Arumugam
- Зинаида Александрова – Невидимка
- The Twelve poem – Aleksandr Blok poems | Poetry Monster
- Sonnet II. To ****** poem – John Keats poems
Some external links:
Duckduckgo.com – the alternative in the US
Quant.com – a search engine from France, and also an alternative, at least for Europe
Yandex – the Russian search engine (it’s probably the best search engine for image searches).
Phillis Wheatley (1753-84), a negro poetess, also an American poet or Afro-American poet, and an English Colonial poet, . She was born in Africa (in Gambia or Senegal) and was aptured by slave traders at the age of eight, she was sold to a family living in Boston, Mass., whose name she bears. While serving as a maid-servant to her proprietor’s wife, she showed an unusual facility with languages. She began writing poetry at the age of thirteen, using as models British poets of the time, especially Alexander Pope and Thomas Gray). In 1773 she accompanied a member of the Wheatley family to England, where she gained widespread attention in literary circles. She subsequently returned to Boston. Her best-known poems are “To the University of Cambridge in New England” (1767), In all honestly Phillis Wheatley should rather be considered English than an Afro-American poet but the exact classification of who she was would depend on the political and cultural views, and biases, of the “classifier.