song Fauc1
First.
[Chorus. Endymion. Luna.]
Chorus.
Th’ Astrologers own Eyes are set,
And even Wolves the Sheep forget;
Only this Shepherd, late and soon,
Upon this Hill outwakes the Moon.
Heark how he sings, with sad delight,
Thorough the clear and silent Night.
Endymion
Cynthia, O Cynthia, turn thine Ear,
nor scorn Endymions plaints to hear.
As we our Flocks, so you command
The fleecy Clouds with silver wand.
Cynthia
If thou a Mortal, rather sleep;
Or if a Shepherd, watch thy Sheep.
Endmymion
The Shepherd, since he saw thine Eyes,
And Sheep are both thy Sacrifice.
Nor merits he a Mortal’s name,
That burns with an immortal Flame.
Cynthia
I have enough for me to do,
Ruling the Waves that Ebb and Flow.
Endymion
Since thou disdain’st not then to share
On Sublunary things thy Care;
Rather restrain these double Seas,
Mine Eyes uncessant deluges.
Cynthia
My wakeful Lamp all night must move,
Securing their Repose above.
Endymion
If therefore thy resplendent Ray
Can make a Night more bright then Day;
Shine thorough this obscurer Brest,
With shades of deep Despair opprest.
Chorus.
Courage, Endymion, boldly Woo,
Anchises was a Shepheard too:
Yet is her younger Sister laid
Sporting with him in Ida’s shade:
And Cynthia, though the strongest,
Seeks but the honour to have held out longest.
Endymion
Here unto Latmos Top I climbe:
How far below thine Orbe sublime?
O why, as well as Eyes to see,
Have I not Armes that reach to thee?
Cynthia
‘Tis needless then that I refuse,
Would you but your own Reason use.
Endymion
Though I so high may not pretend,
It is the same so you descend.
Cynthia
These Stars would say I do them wrong,
Rivals each one for thee too strong.
Endymion
The Stars are fix’d unto their Sphere,
And cannot, though they would, come near.
Less Loves set of each others praise,
While Stars Eclypse by mixing Rayes.
Cynthia
That Cave is dark.
Endymion
Then none can spy:
Or shine Thou there and ’tis the Sky.
Chorus.
Joy to Endymion,
For he has Cynthia’s favour won.
And Jove himself approves
With his serenest influence their Loves.
For he did never love to pair
His Progeny above the Air;
But to be honest, valiant, wise,
Makes Mortals matches fit for Deityes.
song Fauc2
Second Song.
[Hobbinol. Phillis. Tomalin.]
Hobbinol
Phillis, Tomalin, away:
Never such a merry day.
For the Northern Shepheards Son
Has Menalca’s daughter won.
Phillis
Stay till I some flow’rs ha’ty’d
In a Garland for the Bride.
Tomalin
If Thou would’st a Garland bring,
Philiis you may wait the Spring:
They ha’ chosen such an hour
When She is the only flow’r.
Phillis
Let’s not then at least be seen
Without each a Sprig of Green.
Hobbinol
Fear not; at Menalca’s Hall
There is Bayes enough for all.
He when Young as we did graze,
But when Old he planted Bayes.
Tomalin
Here She comes; but with a Look
Far more catching then my Hook.
‘Twas those Eyes, I now dare swear,
Led our Lambs we knew not where.
Hobbinol
Not our Lambs own Fleeces are
Curl’d so lovely as her Hair:
Nor our Sheep new Wash’d can be
Half so white or sweet as She.
Phillis
He so looks as fit to keep
Somewhat else then silly Sheep.
Hobbinol
Come, lets in some Carol new
Pay to Love and Them their due.
All.
Joy to that happy Pair,
Whose Hopes united banish our Despair.
What Shepheard could for Love pretend,
Whil’st all the Nymphs on Damon’s choice attend?
What Shepherdess could hope to wed
Before Marina’s turn were sped?
Now lesser Beauties may take place,
And meaner Virtues come in play;
While they,
Looking from high,
Shall grace
Our Flocks and us with a propitious Eye.
But what is most, the gentle Swain
No more shall need of Love complain;
But Virtue shall be Beauties hire,
And those be equal that have equal Fire.
Or who despair, now Damon does enjoy?
Marina yields. Who dares be coy?
Joy to that happy Pair,
Whose Hopes united banish our Despair.
***
![Andrew Marvell](https://www.poetry.monster/wp-content/uploads/Andrew_Marvell-100x100.png)
Andrew Marvell (1621-1678) was a renowned English poet and politician who lived during the 17th century. He is widely recognized for his skillful metaphysical poetry and his contributions to the literary movement known as the Metaphysical School. Marvell’s works often explored themes such as love, politics, and the transient nature of life. Some of his notable poems include “To His Coy Mistress” and “The Garden.” Marvell’s writing continues to be celebrated for its imaginative language, wit, and intellectual depth.